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Introduction

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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
    Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
  • Image 2 Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
    Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.

    The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
  • Image 3 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 4 Margarita with a Straw is a 2014 Indian Hindi-language drama film directed by Shonali Bose. It stars Kalki Koechlin as an Indian teenager with cerebral palsy who relocates to America for her undergraduate education and comes of age following her complex relationship with a blind girl, played by Sayani Gupta. Revathi, Kuljeet Singh, and William Moseley play supporting roles. Produced by Bose in partnership with Viacom18 Motion Pictures, Margarita with a Straw was co-written by Bose and Nilesh Maniyar. The film deals with the challenging concepts of sexuality, inclusion, self-love, and self-acceptance. Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
    Margarita with a Straw is a 2014 Indian Hindi-language drama film directed by Shonali Bose. It stars Kalki Koechlin as an Indian teenager with cerebral palsy who relocates to America for her undergraduate education and comes of age following her complex relationship with a blind girl, played by Sayani Gupta. Revathi, Kuljeet Singh, and William Moseley play supporting roles. Produced by Bose in partnership with Viacom18 Motion Pictures, Margarita with a Straw was co-written by Bose and Nilesh Maniyar. The film deals with the challenging concepts of sexuality, inclusion, self-love, and self-acceptance.

    Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
  • Image 5 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)

    Khan in 1991

    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 6 Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film. The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
    Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

    The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
  • Image 7 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 8 Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture (Kannada: ಪಶ್ಚಿಮ ಚಾಲುಕ್ಯ ವಾಸ್ತುಶಿಲ್ಪ), also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style. Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
    Core area of Western Chalukya architectural activity in modern Karnataka state, India

    Western Chalukya architecture (Kannada: ಪಶ್ಚಿಮ ಚಾಲುಕ್ಯ ವಾಸ್ತುಶಿಲ್ಪ), also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

    Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
  • Image 9 The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of Open and Women's tournaments, as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India. The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
    The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of Open and Women's tournaments, as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India.

    The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
  • Image 10 Cyclone 04B at peak intensity near landfall The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day. The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)

    Cyclone 04B at peak intensity near landfall

    The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day.

    The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)
  • Image 11 Vidya in 2024 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)

    Vidya in 2024

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)
  • Image 12 Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor. He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)

    Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor.

    He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)
  • Image 13 Ismay in 1945 General Hastings Lionel Ismay, 1st Baron Ismay KG, GCB, CH, DSO, PC, DL ('Pug' Ismay) (21 June 1887 – 17 December 1965) was a British politician, diplomat and general in the British Indian Army who was the first secretary general of NATO. He also was Winston Churchill's chief military assistant during the Second World War. Ismay was born in Nainital, India, in 1887, and educated in the United Kingdom at Charterhouse School and the Royal Military College, Sandhurst. After Sandhurst, he joined the Indian Army as an officer of the 21st Prince Albert Victor's Own Cavalry. During the First World War, he served with the Camel Corps in British Somaliland, where he joined in the British fight against the "Mad Mullah", Mohammed Abdullah Hassan. In 1925, Ismay became an Assistant Secretary of the Committee of Imperial Defence (CID). After being promoted to the rank of colonel, he served as the military secretary for Lord Willingdon, the Viceroy of India, then returned to the CID as Deputy Secretary in 1936. (Full article...)

    Ismay in 1945

    General Hastings Lionel Ismay, 1st Baron Ismay KG, GCB, CH, DSO, PC, DL ('Pug' Ismay) (21 June 1887 – 17 December 1965) was a British politician, diplomat and general in the British Indian Army who was the first secretary general of NATO. He also was Winston Churchill's chief military assistant during the Second World War.

    Ismay was born in Nainital, India, in 1887, and educated in the United Kingdom at Charterhouse School and the Royal Military College, Sandhurst. After Sandhurst, he joined the Indian Army as an officer of the 21st Prince Albert Victor's Own Cavalry. During the First World War, he served with the Camel Corps in British Somaliland, where he joined in the British fight against the "Mad Mullah", Mohammed Abdullah Hassan. In 1925, Ismay became an Assistant Secretary of the Committee of Imperial Defence (CID). After being promoted to the rank of colonel, he served as the military secretary for Lord Willingdon, the Viceroy of India, then returned to the CID as Deputy Secretary in 1936. (Full article...)
  • Image 14 Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by Nikhil Advani in his directorial debut with a story written by Karan Johar with dialogue by Niranjan Iyengar, and produced by Yash Johar. The film stars Jaya Bachchan, Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. In the film, Naina Catherine Kapur (Zinta) and Aman Mathur (Shah Rukh Khan) fall in love, but a secret prevents him from reciprocating his feelings and results in a plan to set Naina up with her best friend, Rohit Patel (Saif Ali Khan). Collaborating with Johar, Shankar–Ehsaan–Loy composed the soundtrack and score. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
    Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by Nikhil Advani in his directorial debut with a story written by Karan Johar with dialogue by Niranjan Iyengar, and produced by Yash Johar. The film stars Jaya Bachchan, Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. In the film, Naina Catherine Kapur (Zinta) and Aman Mathur (Shah Rukh Khan) fall in love, but a secret prevents him from reciprocating his feelings and results in a plan to set Naina up with her best friend, Rohit Patel (Saif Ali Khan).

    Collaborating with Johar, Shankar–Ehsaan–Loy composed the soundtrack and score. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
  • Image 15 Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed] Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
    Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed]

    Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
  • Image 16 Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status. Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$830,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
    Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status.

    Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$830,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
  • Image 17 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 18 Satellite image of the tropical storm on May 13 In May 2003, a tropical cyclone officially called Very Severe Cyclonic Storm BOB 01 produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day. In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)

    Satellite image of the tropical storm on May 13

    In May 2003, a tropical cyclone officially called Very Severe Cyclonic Storm BOB 01 produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day.

    In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)
  • Image 19 Mayabazar (transl. Market of illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version. The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
    Mayabazar (transl. Market of illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version.

    The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
  • Image 20 Gay at peak intensity before making landfall on India, on 8 November Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November. The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)

    Gay at peak intensity before making landfall on India, on 8 November

    Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November.

    The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)
  • Image 21 Greatest extent of the Western Chalukya Empire, 1121D The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada-speaking dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani. For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)

    Greatest extent of the Western Chalukya Empire, 1121D

    The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada-speaking dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani.

    For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)
  • Image 22 Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance. In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
    Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance.

    In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
  • Image 23 Procession march held on 21 February 1952 in Dhaka The Bengali language movement was a political movement in former East Bengal or East Pakistan(modern day Bangladesh ) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)

    Procession march held on 21 February 1952 in Dhaka

    The Bengali language movement was a political movement in former East Bengal or East Pakistan(modern day Bangladesh ) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script

    When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)
  • Image 24 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 25 Narayan in 1974 Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)

    Narayan in 1974

    Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

    Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
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  • Image 1 Aashiqui 2 (transl. Romance 2) is a 2013 Indian Hindi-language romantic musical drama film directed by Mohit Suri and produced by Mukesh Bhatt, Mahesh Bhatt, Bhushan Kumar and Krishan Kumar under the Vishesh Films and T-Series Films, with Mahesh Bhatt also serving as presenter. A spiritual successor to the 1990 musical film Aashiqui, the film stars Aditya Roy Kapur and Shraddha Kapoor in the lead roles, with Shaad Randhawa and Mahesh Thakur in supporting roles, as well as Salil Acharya in a cameo appearance. Set in the early 2010s, the film centers on a turbulent romantic relationship between a failing singer, Rahul Jaykar, and his protege, aspiring singer Aarohi Keshav Shirke, which is affected by Rahul's issues with alcohol abuse and temperament. It is an adaptation of both the original 1937 version and the 1976 remake of A Star is Born films. There were initially several concerns in the Indian media that it could not live up to the high standards and success of the original. Production of the film began in 2011, with the principal photography taking place in Cape Town, Goa and Mumbai on a budget of ₹18 crore (US$2.2 million). (Full article...)
    Aashiqui 2 (transl. Romance 2) is a 2013 Indian Hindi-language romantic musical drama film directed by Mohit Suri and produced by Mukesh Bhatt, Mahesh Bhatt, Bhushan Kumar and Krishan Kumar under the Vishesh Films and T-Series Films, with Mahesh Bhatt also serving as presenter. A spiritual successor to the 1990 musical film Aashiqui, the film stars Aditya Roy Kapur and Shraddha Kapoor in the lead roles, with Shaad Randhawa and Mahesh Thakur in supporting roles, as well as Salil Acharya in a cameo appearance. Set in the early 2010s, the film centers on a turbulent romantic relationship between a failing singer, Rahul Jaykar, and his protege, aspiring singer Aarohi Keshav Shirke, which is affected by Rahul's issues with alcohol abuse and temperament.

    It is an adaptation of both the original 1937 version and the 1976 remake of A Star is Born films. There were initially several concerns in the Indian media that it could not live up to the high standards and success of the original. Production of the film began in 2011, with the principal photography taking place in Cape Town, Goa and Mumbai on a budget of ₹18 crore (US$2.2 million). (Full article...)
  • Image 2 The Indian National Congress (INC) is one of the two major political parties in India. The prominent members of the party are the president Sonia Gandhi, vice-president Rahul Gandhi, former prime minister Manmohan Singh and Priyanka Gandhi. INC took part in the elections alongside other members of the United Progressive Alliance. On the fourth anniversary of the second United Progressive Alliance government, the INC announced that its campaign for the election would be led by Prime minister Manmohan Singh, party chairperson Sonia Gandhi, and general secretary Rahul Gandhi. Burson-Marsteller, JWT and Dentsu were contracted to provide an image makeover to the party and Rahul Gandhi. In its election manifesto, INC promised "Right to Health", "Right to homestead", "Right to social security" and "Right to pension". During the elections, Congress leaders criticised the Bharatiya Janata Party (BJP) and its prime ministerial candidate Narendra Modi for being involved in low level politics. They accused Modi of favouring businessmen. The party campaigned throughout India, but suffered its worst ever defeat, winning only 44 seats over 543 constituencies; the BJP won the election and was able to form a government with a majority for the first time since the victory of Rajiv Gandhi in 1984. After the results were announced both Sonia and Rahul Gandhi offered to resign from their posts in the party but the Congress Working Committee rejected their resignations and criticised the government's communication strategy for the party's defeat. (Full article...)
    The Indian National Congress (INC) is one of the two major political parties in India. The prominent members of the party are the president Sonia Gandhi, vice-president Rahul Gandhi, former prime minister Manmohan Singh and Priyanka Gandhi. INC took part in the elections alongside other members of the United Progressive Alliance. On the fourth anniversary of the second United Progressive Alliance government, the INC announced that its campaign for the election would be led by Prime minister Manmohan Singh, party chairperson Sonia Gandhi, and general secretary Rahul Gandhi.

    Burson-Marsteller, JWT and Dentsu were contracted to provide an image makeover to the party and Rahul Gandhi. In its election manifesto, INC promised "Right to Health", "Right to homestead", "Right to social security" and "Right to pension". During the elections, Congress leaders criticised the Bharatiya Janata Party (BJP) and its prime ministerial candidate Narendra Modi for being involved in low level politics. They accused Modi of favouring businessmen. The party campaigned throughout India, but suffered its worst ever defeat, winning only 44 seats over 543 constituencies; the BJP won the election and was able to form a government with a majority for the first time since the victory of Rajiv Gandhi in 1984. After the results were announced both Sonia and Rahul Gandhi offered to resign from their posts in the party but the Congress Working Committee rejected their resignations and criticised the government's communication strategy for the party's defeat. (Full article...)
  • Image 3 14th century Nepalese sculpture of Chamunda. Chamunda (Sanskrit: चामुण्डा, IAST: Cāmuṇḍā), also known as Chamundeshwari, Chamundi or Charchika, is a fearsome form of Chandi, the Hindu mother goddess, Mahadevi and is one of the seven Matrikas. She is also one of the chief Yoginis, a group of sixty-four or eighty-one Tantric goddesses, who are attendants of the warrior goddess Parvati. The name is a combination of Chanda and Munda, two demons whom Chamunda killed. She is closely associated with Kali, another fierce aspect of Parvati. She is identified with goddesses Parvati, Kali or Durga. (Full article...)

    14th century Nepalese sculpture of Chamunda.

    Chamunda (Sanskrit: चामुण्डा, IAST: Cāmuṇḍā), also known as Chamundeshwari, Chamundi or Charchika, is a fearsome form of Chandi, the Hindu mother goddess, Mahadevi and is one of the seven Matrikas.

    She is also one of the chief Yoginis, a group of sixty-four or eighty-one Tantric goddesses, who are attendants of the warrior goddess Parvati. The name is a combination of Chanda and Munda, two demons whom Chamunda killed. She is closely associated with Kali, another fierce aspect of Parvati. She is identified with goddesses Parvati, Kali or Durga. (Full article...)
  • Image 4 The Tenzing Norgay National Adventure Award, formerly known as the National Adventure Awards is the highest adventure sports honour of the Republic of India. The award is named after Tenzing Norgay, one of the first two individuals to reach the summit of Mount Everest along with Edmund Hillary in 1953. It is awarded annually by the Ministry of Youth Affairs and Sports. The recipients are honoured for their "outstanding achievement in the field of adventure activities on land, sea and air" over the last three years. The lifetime achievement is awarded to individuals who have demonstrated excellence and have devoted themselves in the promotion of adventure sports. As of 2020[update], the award comprises "a bronze statuette of Tenzing Norgay along with a cash prize of ₹15 lakh (US$18,000)." Instituted in 1993–1994, the first awards were given for the year 1994. The status of this award is considered to be equivalent to the Arjuna Award conferred in the field of sport. Since the year 2004, this award along with all the other six National Sports Awards are conferred in the same presidential ceremony at the Rashtrapati Bhavan usually on 29 August each year. The nominations for a given year are accepted till 20 June. Typically one award in each of the four categories: Land adventure, Water (Sea) adventure, Air adventure and Lifetime achievement are given. The number may increase in a particular year for appropriate reasons and after approval. A five-member committee evaluates the achievements of a person in a particular category of adventure taking into consideration their last three years of performance for the first three categories. The committee later submits their recommendations to the Union Minister of Youth Affairs and Sports for further approval. (Full article...)
    The Tenzing Norgay National Adventure Award, formerly known as the National Adventure Awards is the highest adventure sports honour of the Republic of India. The award is named after Tenzing Norgay, one of the first two individuals to reach the summit of Mount Everest along with Edmund Hillary in 1953. It is awarded annually by the Ministry of Youth Affairs and Sports. The recipients are honoured for their "outstanding achievement in the field of adventure activities on land, sea and air" over the last three years. The lifetime achievement is awarded to individuals who have demonstrated excellence and have devoted themselves in the promotion of adventure sports. As of 2020, the award comprises "a bronze statuette of Tenzing Norgay along with a cash prize of ₹15 lakh (US$18,000)."

    Instituted in 1993–1994, the first awards were given for the year 1994. The status of this award is considered to be equivalent to the Arjuna Award conferred in the field of sport. Since the year 2004, this award along with all the other six National Sports Awards are conferred in the same presidential ceremony at the Rashtrapati Bhavan usually on 29 August each year. The nominations for a given year are accepted till 20 June. Typically one award in each of the four categories: Land adventure, Water (Sea) adventure, Air adventure and Lifetime achievement are given. The number may increase in a particular year for appropriate reasons and after approval. A five-member committee evaluates the achievements of a person in a particular category of adventure taking into consideration their last three years of performance for the first three categories. The committee later submits their recommendations to the Union Minister of Youth Affairs and Sports for further approval. (Full article...)
  • Image 5 Pandit Jasraj Performing at Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal in Poonam-35 Program (2015) Jasraj (28 January 1930  – 17 August 2020) was an Indian classical vocalist, belonging to the Mewati gharana (musical apprenticeship lineage). His musical career spanned 75 years resulting in national and international fame, respect and numerous major awards and accolades. His legacy includes memorable performances of classical and semi-classical vocal music, classical and devotional music, albums and film soundtracks, innovations in various genres including Haveli Sangeeth and popularizing the Mewati Gharana – a school of thought in Hindustani classical music. Pandit Jasraj taught music to amateur and professional students in India, Europe, Canada and the United States. (Full article...)

    Pandit Jasraj Performing at Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal in Poonam-35 Program (2015)

    Jasraj (28 January 1930  – 17 August 2020) was an Indian classical vocalist, belonging to the Mewati gharana (musical apprenticeship lineage). His musical career spanned 75 years resulting in national and international fame, respect and numerous major awards and accolades. His legacy includes memorable performances of classical and semi-classical vocal music, classical and devotional music, albums and film soundtracks, innovations in various genres including Haveli Sangeeth and popularizing the Mewati Gharana – a school of thought in Hindustani classical music. Pandit Jasraj taught music to amateur and professional students in India, Europe, Canada and the United States. (Full article...)
  • Image 6 Attarintiki Daredi (transl. Which way to aunt's house?) is a 2013 Indian Telugu-language action comedy film written and directed by Trivikram Srinivas. Produced by Sri Venkateswara Cine Chitra and Reliance Entertainment, the film stars Pawan Kalyan, Samantha and Pranitha Subhash. Nadhiya, Boman Irani and Brahmanandam feature in supporting roles. The film score and soundtrack album were composed by Devi Sri Prasad. Prasad Murella was the cinematographer. The film focuses on Gautham Nanda, a business heir who acts as a driver in his estranged aunt Sunanda's house to mend her strained relationship with his grandfather Raghunandan who expelled her for marrying against his wishes years before. Attarintiki Daredi was made on a budget of ₹55 crore. Principal photography began in January 2013 and ended in July 2013, with the film being primarily shot in and around Hyderabad. Significant portions were shot in Pollachi and Europe. (Full article...)
    Attarintiki Daredi (transl. Which way to aunt's house?) is a 2013 Indian Telugu-language action comedy film written and directed by Trivikram Srinivas. Produced by Sri Venkateswara Cine Chitra and Reliance Entertainment, the film stars Pawan Kalyan, Samantha and Pranitha Subhash. Nadhiya, Boman Irani and Brahmanandam feature in supporting roles. The film score and soundtrack album were composed by Devi Sri Prasad. Prasad Murella was the cinematographer.

    The film focuses on Gautham Nanda, a business heir who acts as a driver in his estranged aunt Sunanda's house to mend her strained relationship with his grandfather Raghunandan who expelled her for marrying against his wishes years before. Attarintiki Daredi was made on a budget of ₹55 crore. Principal photography began in January 2013 and ended in July 2013, with the film being primarily shot in and around Hyderabad. Significant portions were shot in Pollachi and Europe. (Full article...)
  • Image 7 Thanjavur, Tamil Nadu Thanjavur (Tamil: [t̪aɲdʑaːʋuːɾ]), also known as Thanjai, previously known as Tanjore, is a city in the Indian state of Tamil Nadu. It is the 12th biggest city in Tamil Nadu. Thanjavur is an important center of southern Indian religion, art, and architecture. Most of the Great Living Chola Temples, which are UNESCO World Heritage Monuments, are located in and around Thanjavur. The foremost among these, the Brihadeeswara Temple, built by the Chola emperor Rajaraja I, is located in the centre of the city. This temple has one of the largest bull statues (called Nandi) in India carved out of a single granite rock. Thanjavur is also home to Tanjore painting, a painting style unique to the region. Thanjavur is the headquarters of the Thanjavur District. The city is an important agricultural centre located in the Kaveri Delta and is known as the Rice bowl of Tamil Nadu. Thanjavur is administered by a municipal corporation covering an area of 36.31 km2 (14.02 sq mi) and had a population of 222,943. Roadways are the major means of transportation, while the city also has rail connectivity. The nearest airport is Tiruchirapalli International Airport, located 59.6 km (37.0 mi) away from the city. The nearest seaport is Karaikal, which is 94 km (58 mi) away from Thanjavur. The city first rose to prominence during the reign of the Cholas when it served as the capital of the empire. After the fall of the Cholas, the city was ruled by various dynasties such as the Mutharaiyar dynasty, the Pandyas, the Vijayanagar Empire, the Madurai Nayaks, the Thanjavur Nayaks, the Thanjavur Marathas and the British Empire. It has been a part of independent India since 1947. (Full article...)

    Thanjavur, Tamil Nadu

    Thanjavur (Tamil: [t̪aɲdʑaːʋuːɾ]), also known as Thanjai, previously known as Tanjore, is a city in the Indian state of Tamil Nadu. It is the 12th biggest city in Tamil Nadu. Thanjavur is an important center of southern Indian religion, art, and architecture. Most of the Great Living Chola Temples, which are UNESCO World Heritage Monuments, are located in and around Thanjavur. The foremost among these, the Brihadeeswara Temple, built by the Chola emperor Rajaraja I, is located in the centre of the city. This temple has one of the largest bull statues (called Nandi) in India carved out of a single granite rock. Thanjavur is also home to Tanjore painting, a painting style unique to the region. Thanjavur is the headquarters of the Thanjavur District. The city is an important agricultural centre located in the Kaveri Delta and is known as the Rice bowl of Tamil Nadu. Thanjavur is administered by a municipal corporation covering an area of 36.31 km2 (14.02 sq mi) and had a population of 222,943. Roadways are the major means of transportation, while the city also has rail connectivity. The nearest airport is Tiruchirapalli International Airport, located 59.6 km (37.0 mi) away from the city. The nearest seaport is Karaikal, which is 94 km (58 mi) away from Thanjavur.
    The city first rose to prominence during the reign of the Cholas when it served as the capital of the empire. After the fall of the Cholas, the city was ruled by various dynasties such as the Mutharaiyar dynasty, the Pandyas, the Vijayanagar Empire, the Madurai Nayaks, the Thanjavur Nayaks, the Thanjavur Marathas and the British Empire. It has been a part of independent India since 1947. (Full article...)
  • Image 8 Shankar performing in 1969 Ravi Shankar (Bengali pronunciation: [ˈrobi ˈʃɔŋkor]; born Robindro Shaunkor Chowdhury, sometimes spelled as Rabindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known expert of North Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. He is also the father of American singer Norah Jones. Shankar was born to a Bengali family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. At age 18, he gave up dancing to pursue a career in music, studying the sitar for seven years under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. He was nominated for the Academy Award for Best Original Score for scoring the blockbuster Gandhi (1982). (Full article...)

    Shankar performing in 1969

    Ravi Shankar (Bengali pronunciation: [ˈrobi ˈʃɔŋkor]; born Robindro Shaunkor Chowdhury, sometimes spelled as Rabindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known expert of North Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. He is also the father of American singer Norah Jones.

    Shankar was born to a Bengali family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. At age 18, he gave up dancing to pursue a career in music, studying the sitar for seven years under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. He was nominated for the Academy Award for Best Original Score for scoring the blockbuster Gandhi (1982). (Full article...)
  • Image 9 Cigars of the Pharaoh (French: Les Cigares du Pharaon) is the fourth volume of The Adventures of Tintin, the series of comic albums by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from December 1932 to February 1934. The story tells of young Belgian reporter Tintin and his dog Snowy, who are travelling in Egypt when they discover a pharaoh's tomb with dead Egyptologists and boxes of cigars. Pursuing the mystery of the cigars, Tintin and Snowy travel across Southern Arabia and India, and reveal the secrets of an international drug smuggling enterprise. Following on from Tintin in America, Cigars was a commercial success, and was published in book form by Casterman shortly after its conclusion. Hergé continued The Adventures of Tintin with The Blue Lotus, the plot of which followed on from Cigars. The series itself became a defining part of the Franco-Belgian comic tradition. In 1955, it was re-drawn and coloured by Hergé and his assistants at Studios Hergé to match his distinctive ligne-claire style. Critical analysis of the story has focused on its innovation, and the Adventure introduces the recurring characters of detectives Thomson and Thompson and villain Rastapopoulos. The comic was loosely adapted by Hergé and Jacques Van Melkebeke for the 1941 play Tintin in India: The Mystery of the Blue Diamond; a more faithful adaptation was later made for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin. (Full article...)
    Cigars of the Pharaoh (French: Les Cigares du Pharaon) is the fourth volume of The Adventures of Tintin, the series of comic albums by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from December 1932 to February 1934. The story tells of young Belgian reporter Tintin and his dog Snowy, who are travelling in Egypt when they discover a pharaoh's tomb with dead Egyptologists and boxes of cigars. Pursuing the mystery of the cigars, Tintin and Snowy travel across Southern Arabia and India, and reveal the secrets of an international drug smuggling enterprise.

    Following on from Tintin in America, Cigars was a commercial success, and was published in book form by Casterman shortly after its conclusion. Hergé continued The Adventures of Tintin with The Blue Lotus, the plot of which followed on from Cigars. The series itself became a defining part of the Franco-Belgian comic tradition. In 1955, it was re-drawn and coloured by Hergé and his assistants at Studios Hergé to match his distinctive ligne-claire style. Critical analysis of the story has focused on its innovation, and the Adventure introduces the recurring characters of detectives Thomson and Thompson and villain Rastapopoulos. The comic was loosely adapted by Hergé and Jacques Van Melkebeke for the 1941 play Tintin in India: The Mystery of the Blue Diamond; a more faithful adaptation was later made for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin. (Full article...)
  • Image 10 The Secret of the Nagas is the second book of Amish Tripathi, second book of Amishverse, and also the second book of Shiva Trilogy. The story takes place in the imaginary land of Meluha and narrates how the inhabitants of that land are saved from their wars by a nomad named Shiva. It begins from where its predecessor, The Immortals of Meluha, left off, with Shiva trying to save Sati from the invading Naga. Later Shiva takes his troop of soldiers and travels far east to the land of Branga, where he wishes to find a clue to reach the Naga people. Shiva also learns that Sati's first child is still alive, as well as her twin sister. His journey ultimately leads him to the Naga capital of Panchavati, where he finds a surprise waiting for him. Tripathi started writing The Secret of the Nagas while the first part of the trilogy was being released. He relied on his knowledge of geography and history to expand the locations visited in the story. The book was released on 12 August 2011, and was published by Westland Press. Before its release, the author confessed that many revelations would be present in the book, including the true nature of many characters. Two theatrical trailers were created for showing in multiplex cinema halls, as Tripathi believed that the film-going audience also reads his books, and that would create publicity. (Full article...)
    The Secret of the Nagas is the second book of Amish Tripathi, second book of Amishverse, and also the second book of Shiva Trilogy. The story takes place in the imaginary land of Meluha and narrates how the inhabitants of that land are saved from their wars by a nomad named Shiva. It begins from where its predecessor, The Immortals of Meluha, left off, with Shiva trying to save Sati from the invading Naga. Later Shiva takes his troop of soldiers and travels far east to the land of Branga, where he wishes to find a clue to reach the Naga people. Shiva also learns that Sati's first child is still alive, as well as her twin sister. His journey ultimately leads him to the Naga capital of Panchavati, where he finds a surprise waiting for him.

    Tripathi started writing The Secret of the Nagas while the first part of the trilogy was being released. He relied on his knowledge of geography and history to expand the locations visited in the story. The book was released on 12 August 2011, and was published by Westland Press. Before its release, the author confessed that many revelations would be present in the book, including the true nature of many characters. Two theatrical trailers were created for showing in multiplex cinema halls, as Tripathi believed that the film-going audience also reads his books, and that would create publicity. (Full article...)
  • Image 11 States and union territories in South India South India, also known as Southern India or Peninsular India, is the southern part of the Deccan Peninsula in India encompassing the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana as well as the union territories of Lakshadweep and Puducherry, occupying 19.31% of India's area (635,780 km2 or 245,480 sq mi) and 20% of India's population. It is bound by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse, with two mountain ranges, the Western and Eastern Ghats, bordering the plateau heartland. The Godavari, Krishna, Kaveri, Penna, Tungabhadra and Vaigai rivers are important non-perennial sources of water. Chennai, Bangalore, Hyderabad, Coimbatore and Kochi are the largest urban areas in the region. The majority of the people in South India speak at least one of the four major Dravidian languages: Telugu, Tamil, Kannada and Malayalam. During its history, a number of dynastic kingdoms ruled over parts of South India, and shaped the culture in those regions. Major dynasties that were established in South India include the Cheras, Cholas, Pandyas, Pallavas, Satavahanas, Chalukyas, Hoysalas, Rashtrakutas and Vijayanagara. European countries entered India through Kerala and the region was colonized by Britain, Portugal and France. (Full article...)

    States and union territories in South India

    South India, also known as Southern India or Peninsular India, is the southern part of the Deccan Peninsula in India encompassing the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana as well as the union territories of Lakshadweep and Puducherry, occupying 19.31% of India's area (635,780 km2 or 245,480 sq mi) and 20% of India's population. It is bound by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse, with two mountain ranges, the Western and Eastern Ghats, bordering the plateau heartland. The Godavari, Krishna, Kaveri, Penna, Tungabhadra and Vaigai rivers are important non-perennial sources of water. Chennai, Bangalore, Hyderabad, Coimbatore and Kochi are the largest urban areas in the region.

    The majority of the people in South India speak at least one of the four major Dravidian languages: Telugu, Tamil, Kannada and Malayalam. During its history, a number of dynastic kingdoms ruled over parts of South India, and shaped the culture in those regions. Major dynasties that were established in South India include the Cheras, Cholas, Pandyas, Pallavas, Satavahanas, Chalukyas, Hoysalas, Rashtrakutas and Vijayanagara. European countries entered India through Kerala and the region was colonized by Britain, Portugal and France. (Full article...)
  • Image 12 Alimuddin in 1962 Alimuddin (Urdu: علیم الدین‎; 15 December 1930 – 12 July 2012) was a Pakistani cricketer who played 25 Tests for Pakistan between 1954 and 1962. His name is sometimes rendered Alim-ud-Din. A fast-scoring, right-handed opening batsman and occasional right-arm leg break bowler, he was the youngest player ever to appear in first-class cricket, aged 12 years and 73 days. In international cricket, he scored 1,091 runs at the average of 25.37, including two centuries and seven fifties. In 1954, he was a member of the Pakistani squad which toured England and recorded Pakistan's first Test match win. Former Pakistani captain Mushtaq Mohammad said about him that he was "a thorough gentleman as well as a great cricketer for Pakistan". (Full article...)

    Alimuddin in 1962

    Alimuddin (Urdu: علیم الدین‎; 15 December 1930 – 12 July 2012) was a Pakistani cricketer who played 25 Tests for Pakistan between 1954 and 1962. His name is sometimes rendered Alim-ud-Din. A fast-scoring, right-handed opening batsman and occasional right-arm leg break bowler, he was the youngest player ever to appear in first-class cricket, aged 12 years and 73 days. In international cricket, he scored 1,091 runs at the average of 25.37, including two centuries and seven fifties. In 1954, he was a member of the Pakistani squad which toured England and recorded Pakistan's first Test match win. Former Pakistani captain Mushtaq Mohammad said about him that he was "a thorough gentleman as well as a great cricketer for Pakistan". (Full article...)
  • Image 13 The Dirty Picture is a 2011 Indian Hindi-language biographical musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles. The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti. It also resembles the personal lives of other women in popular culture, including actress and sex symbol Marilyn Monroe. The film was directed by Milan Luthria and co-produced by Shobha Kapoor and Ekta Kapoor, after Ekta came up with the idea and asked screenwriter Rajat Aroraa to pen a story based on it. Produced on a budget of ₹18 crore (US$2.2 million), The Dirty Picture was released worldwide on 2 December 2011 (the anniversary of Smitha's birth), in Hindi, Telugu and Tamil versions. Vidya Balan, Emraan Hashmi, Naseeruddin Shah and Tusshar Kapoor star in lead roles. Upon release, it was a critical and commercial success, with Balan's performance receiving widespread critical acclaim and numerous accolades; she was called "the hero of the film". In addition, the film has received high praise for portraying women as powerful, contributing something unique to a typically male-dominated society. The film's soundtrack, composed by Vishal–Shekhar with lyrics written by Rajat Aroraa, also became a commercial success with the song "Ooh La La" become one of the chartbusters of the year. (Full article...)
    The Dirty Picture is a 2011 Indian Hindi-language biographical musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles. The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti. It also resembles the personal lives of other women in popular culture, including actress and sex symbol Marilyn Monroe. The film was directed by Milan Luthria and co-produced by Shobha Kapoor and Ekta Kapoor, after Ekta came up with the idea and asked screenwriter Rajat Aroraa to pen a story based on it.

    Produced on a budget of ₹18 crore (US$2.2 million), The Dirty Picture was released worldwide on 2 December 2011 (the anniversary of Smitha's birth), in Hindi, Telugu and Tamil versions. Vidya Balan, Emraan Hashmi, Naseeruddin Shah and Tusshar Kapoor star in lead roles. Upon release, it was a critical and commercial success, with Balan's performance receiving widespread critical acclaim and numerous accolades; she was called "the hero of the film". In addition, the film has received high praise for portraying women as powerful, contributing something unique to a typically male-dominated society. The film's soundtrack, composed by Vishal–Shekhar with lyrics written by Rajat Aroraa, also became a commercial success with the song "Ooh La La" become one of the chartbusters of the year. (Full article...)
  • Image 14 What's Your Raashee? (lit. 'What's Your Zodiac Sign?') is a 2009 Indian Hindi-language romantic comedy film written and directed by Ashutosh Gowariker and produced by Ronnie Screwvala and Sunita A. Gowariker. Based on the Gujarati novel Kimball Ravenswood by the playwright and novelist Madhu Rye, the film stars Harman Baweja and Priyanka Chopra, with Darshan Jariwala and Dilip Joshi in supporting roles, and follows the story of Yogesh Patel (Baweja), a Gujarati NRI, who must marry in ten days to save his brother from harm; Yogesh agrees to meet twelve potential brides (all played by Chopra), one from each zodiac sign. Gowariker had always aspired to make a romantic comedy and was inspired to adapt Rye's novel into a feature film after watching a play based on the same source material. Later, he bought the rights and co-wrote the screenplay with playwright Naushil Mehta. In the process, several plot changes were made for the cinematic adaptation, notably the similarity between the twelve girls, and the ending. Since Gowariker was against using prosthetics to create the twelve characters, Chopra worked on her body language and her voice to make them distinct. Principal photography was extensively done at sixty-seven locations across Mumbai, and partly in Baroda and Chicago. The soundtrack, consisting of thirteen songs, each representing an astrological sign and one compilation, was composed by newcomer Sohail Sen replacing Gowariker's frequent collaborator A. R. Rahman, with lyrics by Javed Akhtar.[citation needed] (Full article...)
    What's Your Raashee? (lit. 'What's Your Zodiac Sign?') is a 2009 Indian Hindi-language romantic comedy film written and directed by Ashutosh Gowariker and produced by Ronnie Screwvala and Sunita A. Gowariker. Based on the Gujarati novel Kimball Ravenswood by the playwright and novelist Madhu Rye, the film stars Harman Baweja and Priyanka Chopra, with Darshan Jariwala and Dilip Joshi in supporting roles, and follows the story of Yogesh Patel (Baweja), a Gujarati NRI, who must marry in ten days to save his brother from harm; Yogesh agrees to meet twelve potential brides (all played by Chopra), one from each zodiac sign.

    Gowariker had always aspired to make a romantic comedy and was inspired to adapt Rye's novel into a feature film after watching a play based on the same source material. Later, he bought the rights and co-wrote the screenplay with playwright Naushil Mehta. In the process, several plot changes were made for the cinematic adaptation, notably the similarity between the twelve girls, and the ending. Since Gowariker was against using prosthetics to create the twelve characters, Chopra worked on her body language and her voice to make them distinct. Principal photography was extensively done at sixty-seven locations across Mumbai, and partly in Baroda and Chicago. The soundtrack, consisting of thirteen songs, each representing an astrological sign and one compilation, was composed by newcomer Sohail Sen replacing Gowariker's frequent collaborator A. R. Rahman, with lyrics by Javed Akhtar.[citation needed] (Full article...)
  • Image 15 The cyclone on 29 October at its record peak intensity, as it made landfall on Odisha The 1999 Odisha cyclone (IMD designation BOB 06, JTWC designation 05B) was the most intense recorded tropical cyclone in the North Indian Ocean and among the most destructive in the region. The 1999 Odisha cyclone organized into a tropical depression in the Andaman Sea on 25 October, though its origins could be traced back to an area of convection in the Sulu Sea four days prior. The disturbance gradually strengthened as it took a west-northwesterly path, reaching cyclonic storm strength the next day. Aided by highly favorable conditions, the storm rapidly intensified, attaining super cyclonic storm intensity on 28 October, before peaking on the next day with winds of 260 km/h (160 mph) and a record-low pressure of 912 mbar (hPa; 26.93 inHg). The storm maintained this intensity as it made landfall on Odisha on 29 October. The cyclone steadily weakened due to persistent land interaction and dry air, remaining quasi-stationary for two days before slowly drifting offshore as a much weaker system; the storm dissipated on 4 November over the Bay of Bengal. Although its primary effects were felt in a localized area of India, the outer fringes of the super cyclone impacted Myanmar and Bangladesh. Ten people were killed in the former, while two were killed in the latter by the storm's rainbands. The storm was the most severe to strike Odisha in the 20th century, raking the state and adjacent areas with high storm surge, powerful winds, and torrential rainfall. The storm's impacts exacerbated the damage caused by a very severe cyclone that struck the same region less than two weeks earlier. The 5–6 m (16–20 ft) surge brought water up to 35 km (20 mi) inland, carrying along with it coastal debris and inundating towns and villages. The surge combined with heavy rains to produce widespread flooding, damaging around 1.6 million homes and causing rivers to breach 20,005 flood embankments. The storm's effects destroyed numerous crops, including sugar cane, rice, and other winter-time harvests. Although estimates of the death toll varied significantly—at times suggesting 30,000 fatalities—the Government of India enumerated 9,887 fatalities in the country, of which a majority were caused by storm surge; over 8,000 deaths occurred in Jagatsinghpur. The total damage cost of the destruction wrought by the super cyclone amounted to US$4.44 billion. (Full article...)

    The cyclone on 29 October at its record peak intensity, as it made landfall on Odisha

    The 1999 Odisha cyclone (IMD designation BOB 06, JTWC designation 05B) was the most intense recorded tropical cyclone in the North Indian Ocean and among the most destructive in the region. The 1999 Odisha cyclone organized into a tropical depression in the Andaman Sea on 25 October, though its origins could be traced back to an area of convection in the Sulu Sea four days prior. The disturbance gradually strengthened as it took a west-northwesterly path, reaching cyclonic storm strength the next day. Aided by highly favorable conditions, the storm rapidly intensified, attaining super cyclonic storm intensity on 28 October, before peaking on the next day with winds of 260 km/h (160 mph) and a record-low pressure of 912 mbar (hPa; 26.93 inHg). The storm maintained this intensity as it made landfall on Odisha on 29 October. The cyclone steadily weakened due to persistent land interaction and dry air, remaining quasi-stationary for two days before slowly drifting offshore as a much weaker system; the storm dissipated on 4 November over the Bay of Bengal.

    Although its primary effects were felt in a localized area of India, the outer fringes of the super cyclone impacted Myanmar and Bangladesh. Ten people were killed in the former, while two were killed in the latter by the storm's rainbands. The storm was the most severe to strike Odisha in the 20th century, raking the state and adjacent areas with high storm surge, powerful winds, and torrential rainfall. The storm's impacts exacerbated the damage caused by a very severe cyclone that struck the same region less than two weeks earlier. The 5–6 m (16–20 ft) surge brought water up to 35 km (20 mi) inland, carrying along with it coastal debris and inundating towns and villages. The surge combined with heavy rains to produce widespread flooding, damaging around 1.6 million homes and causing rivers to breach 20,005 flood embankments. The storm's effects destroyed numerous crops, including sugar cane, rice, and other winter-time harvests. Although estimates of the death toll varied significantly—at times suggesting 30,000 fatalities—the Government of India enumerated 9,887 fatalities in the country, of which a majority were caused by storm surge; over 8,000 deaths occurred in Jagatsinghpur. The total damage cost of the destruction wrought by the super cyclone amounted to US$4.44 billion. (Full article...)
  • Image 16 Indra Devi, upper left, in her distinctive sari; 1963 album cover Eugenie Peterson (Latvian: Eiženija Pētersone, Russian: Евгения Васильевна Петерсон; 12 May 1899 – 25 April 2002), known as Indra Devi, was a pioneering teacher of yoga as exercise, and an early disciple of the "father of modern yoga", Tirumalai Krishnamacharya. She went to India in her twenties, becoming a film star there and acquiring the stage name Indra Devi. She was the first woman to study under the yoga guru Krishnamacharya at the Mysore Palace, alongside B.K.S Iyengar and K. Pattabhi Jois who went on to become yoga gurus. Moving to China, she taught the first yoga classes in that country at Madame Chiang Kai-shek's house. (Full article...)

    Indra Devi, upper left, in her distinctive sari; 1963 album cover

    Eugenie Peterson (Latvian: Eiženija Pētersone, Russian: Евгения Васильевна Петерсон; 12 May 1899 – 25 April 2002), known as Indra Devi, was a pioneering teacher of yoga as exercise, and an early disciple of the "father of modern yoga", Tirumalai Krishnamacharya.

    She went to India in her twenties, becoming a film star there and acquiring the stage name Indra Devi. She was the first woman to study under the yoga guru Krishnamacharya at the Mysore Palace, alongside B.K.S Iyengar and K. Pattabhi Jois who went on to become yoga gurus. Moving to China, she taught the first yoga classes in that country at Madame Chiang Kai-shek's house. (Full article...)
  • Image 17 Tumbbad is a 2018 Indian Hindi-language folk horror film directed by Rahi Anil Barve [mr]. Additionally, Anand Gandhi served as the creative director, and Adesh Prasad served as the co-director. Written by Mitesh Shah, Prasad, Barve, and Gandhi, the film was produced by Sohum Shah, Aanand L. Rai, Mukesh Shah and Amita Shah. Starring Sohum Shah in the lead role as Vinayak Rao, it follows the story of his search for a hidden 20th century treasure in the Indian village of Tumbbad, Maharashtra. The director, Rahi Anil Barve, began writing the script based on a story a friend had told him about in 1993, by the Marathi writer Narayan Dharap. He wrote the first draft in 1997, when he was 18 years old. From 2009 to 2010, he created a 700-page storyboard for the film. It was optioned by seven production companies who backed out and went on the floors (went into production) three times. It was first shot in 2012 but after editing, Barve and Shah were not satisfied. The film was then re-written and re-shot with filming completed in May 2015. Pankaj Kumar served as the director of photography while Sanyukta Kaza was its editor. Jesper Kyd composed the original score while Ajay–Atul composed one song. (Full article...)
    Tumbbad is a 2018 Indian Hindi-language folk horror film directed by Rahi Anil Barve [mr]. Additionally, Anand Gandhi served as the creative director, and Adesh Prasad served as the co-director. Written by Mitesh Shah, Prasad, Barve, and Gandhi, the film was produced by Sohum Shah, Aanand L. Rai, Mukesh Shah and Amita Shah. Starring Sohum Shah in the lead role as Vinayak Rao, it follows the story of his search for a hidden 20th century treasure in the Indian village of Tumbbad, Maharashtra.

    The director, Rahi Anil Barve, began writing the script based on a story a friend had told him about in 1993, by the Marathi writer Narayan Dharap. He wrote the first draft in 1997, when he was 18 years old. From 2009 to 2010, he created a 700-page storyboard for the film. It was optioned by seven production companies who backed out and went on the floors (went into production) three times. It was first shot in 2012 but after editing, Barve and Shah were not satisfied. The film was then re-written and re-shot with filming completed in May 2015. Pankaj Kumar served as the director of photography while Sanyukta Kaza was its editor. Jesper Kyd composed the original score while Ajay–Atul composed one song. (Full article...)
  • Image 18 Major Somnath Sharma on a 2003 stamp of India Somnath Sharma, PVC (31 January 1923 – 3 November 1947), was an Indian military officer and the first recipient of India's highest military decoration, Param Vir Chakra (PVC), which he was awarded posthumously. Sharma was commissioned into the 8th Battalion, 19th Hyderabad Regiment, in 1942. He served in Burma during the Arakan Campaign in World War II, for which he was mentioned in despatches. Fighting in the Indo-Pakistani War of 1947-1948, Somnath Sharma was killed in action on 3 November 1947 while repulsing Pakistani infiltrators near Srinagar Airport. For his gallantry and sacrifice during the Battle of Badgam, he was posthumously awarded the Param Vir Chakra. (Full article...)

    Major Somnath Sharma on a 2003 stamp of India

    Somnath Sharma, PVC (31 January 1923 – 3 November 1947), was an Indian military officer and the first recipient of India's highest military decoration, Param Vir Chakra (PVC), which he was awarded posthumously.

    Sharma was commissioned into the 8th Battalion, 19th Hyderabad Regiment, in 1942. He served in Burma during the Arakan Campaign in World War II, for which he was mentioned in despatches. Fighting in the Indo-Pakistani War of 1947-1948, Somnath Sharma was killed in action on 3 November 1947 while repulsing Pakistani infiltrators near Srinagar Airport. For his gallantry and sacrifice during the Battle of Badgam, he was posthumously awarded the Param Vir Chakra. (Full article...)
  • Image 19 INS Kavaratti (P31) on patrol The Kamorta-class corvettes or Project 28 are a class of anti-submarine warfare corvettes currently in service with the Indian Navy. Built at Garden Reach Shipbuilders & Engineers (GRSE), Kolkata, they are the first anti-submarine warfare stealth corvettes to be built in India. Project 28 was approved in 2003, with construction of the lead ship, INS Kamorta commencing on 12 August 2005. All of the four corvettes, INS Kamorta, INS Kadmatt, INS Kiltan and INS Kavaratti were commissioned in 2014, 2016, 2017 and 2020 respectively. The platform and major internal systems of this class of corvettes are indigenously designed and built. The corvettes are named after the islands in the Lakshadweep archipelago. The Kamorta-class corvettes are intended to succeed the Kora class by precedence and the Abhay class by role. (Full article...)

    INS Kavaratti (P31) on patrol

    The Kamorta-class corvettes or Project 28 are a class of anti-submarine warfare corvettes currently in service with the Indian Navy. Built at Garden Reach Shipbuilders & Engineers (GRSE), Kolkata, they are the first anti-submarine warfare stealth corvettes to be built in India. Project 28 was approved in 2003, with construction of the lead ship, INS Kamorta commencing on 12 August 2005. All of the four corvettes, INS Kamorta, INS Kadmatt, INS Kiltan and INS Kavaratti were commissioned in 2014, 2016, 2017 and 2020 respectively.

    The platform and major internal systems of this class of corvettes are indigenously designed and built. The corvettes are named after the islands in the Lakshadweep archipelago. The Kamorta-class corvettes are intended to succeed the Kora class by precedence and the Abhay class by role. (Full article...)
  • Image 20 Hyderabadi mutton haleem garnished with cilantro, egg, fried onion, and lime Hyderabadi haleem (/ˈhaɪdərəbɑːdiː həˈliːm/) is a type of haleem popular in the Indian city of Hyderabad. Haleem is a stew composed of meat, lentils, and pounded wheat made into a thick paste. It is originally an Arabic dish and was introduced to the Hyderabad State by the Chaush people during the rule of the Nizams (the former rulers of Hyderabad State). Local traditional spices helped a unique Hyderabadi haleem evolve, that became popular among the native Hyderabadis by the 20th century. The preparation of haleem has been compared to that of Hyderabadi biryani. Though Hyderabadi haleem is the traditional hors d'oeuvre at weddings, celebrations and other social occasions, it is particularly consumed in the Islamic month of Ramadan during Iftar (the evening meal that breaks the day-long fast) as it is high in calories. In recognition of its cultural significance and popularity, in 2010 it was granted Geographical Indication status (GIS) by the Indian GIS registry office, making it the first non-vegetarian dish in India to receive this status. In October 2022, Hyderabadi haleem won 'Most Popular GI' award in the food category, that was chosen through a voting system that was conducted by the Department for Promotion of Industry & Internal Trade (under the Ministry of Commerce and Industry). (Full article...)

    Hyderabadi mutton haleem garnished with cilantro, egg, fried onion, and lime

    Hyderabadi haleem (/ˈhaɪdərəbɑːdiː həˈliːm/) is a type of haleem popular in the Indian city of Hyderabad. Haleem is a stew composed of meat, lentils, and pounded wheat made into a thick paste. It is originally an Arabic dish and was introduced to the Hyderabad State by the Chaush people during the rule of the Nizams (the former rulers of Hyderabad State). Local traditional spices helped a unique Hyderabadi haleem evolve, that became popular among the native Hyderabadis by the 20th century.

    The preparation of haleem has been compared to that of Hyderabadi biryani. Though Hyderabadi haleem is the traditional hors d'oeuvre at weddings, celebrations and other social occasions, it is particularly consumed in the Islamic month of Ramadan during Iftar (the evening meal that breaks the day-long fast) as it is high in calories. In recognition of its cultural significance and popularity, in 2010 it was granted Geographical Indication status (GIS) by the Indian GIS registry office, making it the first non-vegetarian dish in India to receive this status. In October 2022, Hyderabadi haleem won 'Most Popular GI' award in the food category, that was chosen through a voting system that was conducted by the Department for Promotion of Industry & Internal Trade (under the Ministry of Commerce and Industry). (Full article...)
  • Image 21 The Yogatattva Upanishad (Sanskrit: योगतत्त्व उपनिषत्, IAST: Yogatattva Upaniṣhad), also called as Yogatattvopanishad (योगतत्त्वोपनिषत्), is an important Upanishad within Hinduism. A Sanskrit text, it is one of eleven Yoga Upanishads attached to the Atharvaveda, and one of twenty Yoga Upanishads in the four Vedas. It is listed at number 41 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism. Two major versions of its manuscripts are known. One has fifteen verses but attached to Atharvaveda, while another very different and augmented manuscript exists in the Telugu language which has one hundred and forty two verses and is attached to the Krishna Yajurveda. The text is notable for describing Yoga in the Vaishnavism tradition. (Full article...)
    The Yogatattva Upanishad (Sanskrit: योगतत्त्व उपनिषत्, IAST: Yogatattva Upaniṣhad), also called as Yogatattvopanishad (योगतत्त्वोपनिषत्), is an important Upanishad within Hinduism. A Sanskrit text, it is one of eleven Yoga Upanishads attached to the Atharvaveda, and one of twenty Yoga Upanishads in the four Vedas. It is listed at number 41 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism.

    Two major versions of its manuscripts are known. One has fifteen verses but attached to Atharvaveda, while another very different and augmented manuscript exists in the Telugu language which has one hundred and forty two verses and is attached to the Krishna Yajurveda. The text is notable for describing Yoga in the Vaishnavism tradition. (Full article...)
  • Image 22 Vikram lander mounted on top of orbiter inside cleanroom. Chandrayaan-2 (pronunciation; from Sanskrit: Chandra, "Moon" and yāna, "craft, vehicle") is the second lunar exploration mission developed by the Indian Space Research Organisation (ISRO) after Chandrayaan-1. It consists of a lunar orbiter, the Vikram lunar lander, and the Pragyan rover, all of which were developed in India. The main scientific objective is to map and study the variations in lunar surface composition, as well as the location and abundance of lunar water. The spacecraft was launched from the second launch pad at the Satish Dhawan Space Centre in Andhra Pradesh on 22 July 2019 at 09:13:12 UTC by a LVM3-M1 rocket. The craft reached lunar orbit on 20 August 2019. The Vikram lander attempted a lunar landing on 6 September 2019; the lander crashed due to a software error. (Full article...)

    Vikram lander mounted on top of orbiter inside cleanroom.

    Chandrayaan-2 (pronunciation; from Sanskrit: Chandra, "Moon" and yāna, "craft, vehicle") is the second lunar exploration mission developed by the Indian Space Research Organisation (ISRO) after Chandrayaan-1. It consists of a lunar orbiter, the Vikram lunar lander, and the Pragyan rover, all of which were developed in India. The main scientific objective is to map and study the variations in lunar surface composition, as well as the location and abundance of lunar water.

    The spacecraft was launched from the second launch pad at the Satish Dhawan Space Centre in Andhra Pradesh on 22 July 2019 at 09:13:12 UTC by a LVM3-M1 rocket. The craft reached lunar orbit on 20 August 2019. The Vikram lander attempted a lunar landing on 6 September 2019; the lander crashed due to a software error. (Full article...)
  • Image 23 The Padma Vibhushan ("Lotus Decoration") is the second-highest civilian award of the Republic of India, after the Bharat Ratna. Instituted on 2 January 1954, the award is given for "exceptional and distinguished service". All persons without distinction of race, occupation, position or sex are eligible for these awards. However, government servants including those working with public sector undertakings, except doctors and scientists, are not eligible for these Awards. As of 2024[update], the award has been bestowed on 336 individuals, including thirty-one posthumous and twenty-one non-citizen recipients. During 1 May and 15 September of every year, the recommendations for the award are submitted to the Padma Awards Committee, constituted by the Prime Minister of India. The recommendations are received from all the state and the union territory governments, the Ministries of the Government of India, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The committee later submits their recommendations to the Prime Minister and the President of India for the further approval. The award recipients are announced on Republic Day. (Full article...)
    The Padma Vibhushan ("Lotus Decoration") is the second-highest civilian award of the Republic of India, after the Bharat Ratna. Instituted on 2 January 1954, the award is given for "exceptional and distinguished service". All persons without distinction of race, occupation, position or sex are eligible for these awards. However, government servants including those working with public sector undertakings, except doctors and scientists, are not eligible for these Awards. As of 2024, the award has been bestowed on 336 individuals, including thirty-one posthumous and twenty-one non-citizen recipients.

    During 1 May and 15 September of every year, the recommendations for the award are submitted to the Padma Awards Committee, constituted by the Prime Minister of India. The recommendations are received from all the state and the union territory governments, the Ministries of the Government of India, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The committee later submits their recommendations to the Prime Minister and the President of India for the further approval. The award recipients are announced on Republic Day. (Full article...)
  • Image 24 Vivah (transl. Wedding / Marriage) is a 2006 Indian Hindi-language romantic drama film, written and directed by Sooraj R. Barjatya. Produced and distributed by Rajshri Productions, the film stars Shahid Kapoor and Amrita Rao as lead, alongside Anupam Kher, Alok Nath, Seema Biswas, Amrita Prakash, Samir Soni and Lata Sabharwal. Vivah tells the story of two individuals, and relates their journey from engagement to marriage and aftermath. Vivah is the fourth film to feature Shahid Kapoor opposite Amrita Rao. The film was released on 10 November 2006. It became a commercial success, and the tenth highest grossing film of the year, grossing more than ₹539 million (US$6.5 million) worldwide. Critical reception was mixed; some reviewers found it dramatically lacking and bloated, but it also has been credited for triggering changes to the way marriage is depicted on film. It became an unexpected success, as well as Kapoor and Rao's biggest commercial success at that point. (Full article...)
    Vivah (transl. Wedding / Marriage) is a 2006 Indian Hindi-language romantic drama film, written and directed by Sooraj R. Barjatya. Produced and distributed by Rajshri Productions, the film stars Shahid Kapoor and Amrita Rao as lead, alongside Anupam Kher, Alok Nath, Seema Biswas, Amrita Prakash, Samir Soni and Lata Sabharwal. Vivah tells the story of two individuals, and relates their journey from engagement to marriage and aftermath.

    Vivah is the fourth film to feature Shahid Kapoor opposite Amrita Rao. The film was released on 10 November 2006. It became a commercial success, and the tenth highest grossing film of the year, grossing more than ₹539 million (US$6.5 million) worldwide. Critical reception was mixed; some reviewers found it dramatically lacking and bloated, but it also has been credited for triggering changes to the way marriage is depicted on film. It became an unexpected success, as well as Kapoor and Rao's biggest commercial success at that point. (Full article...)
  • Image 25 "Didi Tera Devar Deewana" (transl. Sister, your brother-in-law is crazy) is a 1994 Hindi-language filmi song performed by Lata Mangeshkar and S. P. Balasubrahmanyam for the soundtrack of the 1994 Indian musical romantic drama film Hum Aapke Hain Koun..!. The track was composed by Raamlaxman, while lyrics were written by Dev Kohli. Hum Aapke Hain Koun..! was written and directed by Sooraj R. Barjatya and produced under the banner of Rajshri Productions. The music video of "Didi Tera Devar Deewana" shows the film's ensemble cast and leads Madhuri Dixit and Salman Khan dancing at a baby shower ceremony. The song became very famous after its release, with it reaching various music charts and bagging the Filmfare Special Award for Mangeshkar. The purple jaded satin saree designed by Anna Singh and sported by Dixit in the video trended in the markets, being also merchandised. Dixit's dance and looks throughout the clip were met with highly positive reviews. After watching the song's video, artist M. F. Husain found his muse in Dixit and went on to paint a series of paintings on her. The song is also featured on the dance rhythm video game Just Dance 3 with the song credited as Kurio ko uddah le jana by Bollywood Rainbow. (Full article...)
    "Didi Tera Devar Deewana" (transl. Sister, your brother-in-law is crazy) is a 1994 Hindi-language filmi song performed by Lata Mangeshkar and S. P. Balasubrahmanyam for the soundtrack of the 1994 Indian musical romantic drama film Hum Aapke Hain Koun..!. The track was composed by Raamlaxman, while lyrics were written by Dev Kohli. Hum Aapke Hain Koun..! was written and directed by Sooraj R. Barjatya and produced under the banner of Rajshri Productions. The music video of "Didi Tera Devar Deewana" shows the film's ensemble cast and leads Madhuri Dixit and Salman Khan dancing at a baby shower ceremony.

    The song became very famous after its release, with it reaching various music charts and bagging the Filmfare Special Award for Mangeshkar. The purple jaded satin saree designed by Anna Singh and sported by Dixit in the video trended in the markets, being also merchandised. Dixit's dance and looks throughout the clip were met with highly positive reviews. After watching the song's video, artist M. F. Husain found his muse in Dixit and went on to paint a series of paintings on her. The song is also featured on the dance rhythm video game Just Dance 3 with the song credited as Kurio ko uddah le jana by Bollywood Rainbow. (Full article...)
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News

15 November 2024 –
10 babies are killed and 16 others are injured in a fire inside a neonatal intensive care unit at the Jhansi Medical College hospital in Jhansi, Uttar Pradesh, North India. (AP)
13 November 2024 – 2024 Indo-Pakistani smog
New Delhi, India, reports its 15th consecutive day with a "very poor" recorded air quality index due to significant air pollution causing zero meter visibility smog. (The Hindu)
13 November 2024 – Bulldozer Justice
The Supreme Court of India rules that it is unconstitutional for the government to demolish property belonging to people suspected of crimes without a legal process, a practice common in states ruled by the Bharatiya Janata Party. (The Times of India) (DW)
4 November 2024 – 2024 Almora bus accident
At least 36 people are killed and 27 others are injured when a bus plunges into a gorge near Marchula, Uttarakhand, India. (The Indian Express) (ABC News)
3 November 2024 – Insurgency in Jammu and Kashmir
At least eleven people are injured in a grenade explosion caused by an unknown militant group in a flea market in Srinagar, Jammu and Kashmir, India. (Reuters)

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